Like Usher, I have a confession. I don’t usually watch the Academy
Awards. I don’t think much of the garbage that usually emanates from
Hollywood. And I almost gag every time someone tries to hold up
entertainers and athletes as role models for African-Americans. But I
tuned in Sunday night for one reason and only for one reason – to see
if Jamie Foxx would get a well-deserved Oscar for his portrayal of Ray
Charles. And when he won, I yelled. To understand my
attachment to the movie, “Ray,” you must understand that I love to
mimic people. I can imitate Jesse Jackson, Ronald Reagan, John F.
Kennedy, my high school principal, my former football coaches, Howard
Cosell and Stevie Wonder, among others. But after seeing Jamie Foxx as
Ray Charles, not a week has passed without me imitating Jamie Foxx
imitating Ray Charles. I know what you’re thinking: Why not skip the
middleman and imitate Ray Charles? If that’s your question, you haven’t
seen the movie. See, imitating Jamie Foxx is imitating Ray Charles.
There is no middleman. Rooting for Jamie Foxx to win was also
prompted by my feelings toward Ray Charles, the man. When he stopped
performing before segregated audiences in the South, he began occupying
a special place in my heart. I’ve been a fan of Bill Russell, the
former Boston Celtics center, and Muhammad Ali over the years, not
because they were exceptional athletes – and they were – but because
they refused to be relegated to anyone’s back seat. When I was in high
school, I remember reading Bill Russell’s autobiography, “Go Up for
Glory,” and his recounting how he flew back to Boston when he learned
that he was expected to stay in a colored hotel on the road. Ali risked
his career, standing up for his religious beliefs. Russell and Ali were
the exceptions. And so was Ray Charles. And that’s why I pulled so hard for Jamie Foxx on Sunday night. I
was also pleased that Morgan Freeman won an Oscar for his supporting
role as a retired boxer in “Million Dollar Baby.” I’d much rather see
him win for that than for “Driving Miss Daisy.” Let Miss Daisy drive
herself. The fact that Morgan Freeman won for his role as an
ex-boxer and Foxx won for his portrayal of Ray Charles is much sweeter
than three years ago when Denzel Washington won for “Training Day” and
Halle Berry won for “Monster’s Ball.” That was the first time that two
African-Americans had won Oscars for acting; Sunday night was the
second. Confession No. 2: I didn’t see Monster’s or any other
kind of ball. I make no apology for not wanting to see a Black woman
have an affair with a racist prison guard who executed her husband. In
my book, there isn’t that much acting in the world. Not only did I not
pay to see the movie, I refuse to watch it on free TV, if you can call
cable free. I decided a long time ago that I would not knowingly waste
my time or money on a Black person playing an ignorant, demeaning or
subservient role. As you’ve probably deduced by now, I didn’t
do cartwheels when Denzel and Halle picked up their Oscars. Of all of
the great movies Denzel Washington has starred in – Malcolm X,
Hurricane Carter and Remember the Titians – Hollywood decided to reward
him for his role as a dirty cop. Some of my friends have argued
– obviously, without success – that I should lighten up and realize
these are only movies. In the ideal world, that might be true. But
movies are never just movies to us. It does matter what roles we see
African-Americans play. It does matter whether they are rewarded for
playing the role of a principled, self-loving person or a White
racist’s sex object. Ossie Davis and Ruby Dee managed to star on
Broadway and in Hollywood without compromising their dignity. Some of
our Black performers don’t have their dignity intact because they never
had any in the first place. They are under the illusion that they are
just actors and actresses. I don’t expect everyone to share my
view. If you want to spend money supporting movies that denigrate
African-Americans, don’t complain when that’s all Hollywood gives you. In the foreseeable future, I am going to quote Jamie Foxx quoting Ray Charles: “I got to do what I gotta do.”
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